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ton_majstor: Oh, a šta to ima da se KALIBRIŠE?
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Before anything else happens, activate Calibration mode by choosing Operations > CalibrationMode, as seen in Figure 1.26. This puts Pro Tools into a mode in which you can measureincoming signals and determine whether the inputs are over- or under-calibrated.
Set up a single Aux track routed to Output 1 only, and insert the plug-in signal generator. Setthe tone to 1k and the level to –0 dB. (If your dB measurement is within 0.1 dB, it is acceptable.)
Measure the volume indicator on the Aux track to ensure that the track is indeed putting out–0 dB. If you own a good meter (it should be calibrated from the factory), route the track
output into the meter and verify –0 dB. If the measurement is off, adjust the output trim pots
to be exactly–0 dB. Continue this process, switching the output of the track to each output ofthe I/O to verify all your hardware outputs.
To verify the inputs, simply plug the outputs directly into the input of the next I/O and createan Audio track with the input set to I/O 1. Record-enable the track and measure the input tobe –0.1 dB. If it’s off, adjust the trim pots to –0 dB. Repeat this process for each input and setthe Audio track to the next input until all I/O points are calibrated. Note that in Figure 1.27,
a reference tone of 0.1 was used to show that the output matches the input when the fadersare at 0 dB. This was for demonstration purposes only.
Once the calibration is done, you should save the session to revisit the calibration for everybig mix you do. In fact, recording the 1k tone for 30 seconds to another track and exportingthe file to the desktop is another great idea because you can bring the tone into every othersession and use it to gauge your mixes before you start!
Evo imam na engleski ali sam mislio da neko pojasni "po domaci", napor mi je prevoditi...
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